~User's Guide~
This user's guide is
designed to help you fully understand the Hawthorne Audio Solo.
As you will soon discover, this is no ordinary loud speaker. In
order to get the highest performance possible from your speakers we
would like to share with you the following. What you have before you
now is what could be referred to as an open baffle, dipole
radiating, point source projecting, full range, high resolution
audiophile transducer.
This agreeably is a long
winded, jargon laden description of a speaker we will simply refer
to as an OB. OBs are unique in that unlike most conventional
speakers, they do not utilize an enclosure to contain and/or
manipulate the sound coming off the rear of the drivers. They are
somewhat similar to electrostatic or Magnaplanar style speakers in
that they project a dipole radiation pattern both forward and
rearward from the driver. Unlike the resonating membrane of an
electrostatic planar, we use dynamic cone drivers in a coaxial
configuration.
Finding a suitable cone
driver for this project proved to be very challenging. We soon
discovered how few drivers existed that could be operated optimally
in a free air, enclosure-less configuration. Our solution was to
have drivers specifically designed for us that would excel in our
OB’s. You can read more about these proprietary drivers on our
Drivers page under the heading Silver Iris Audiophile Drivers.
Open baffle speakers are
recognized to possess a unique sound signature. They are considered
by many to sound very spacious and musical. They have naturalness
about them that few box speakers ever come close to being able to
pull off. They sonically disappear leaving only a 3D holographic
soundscape floating between, above, forward and rearward and
extending to the boundaries of your room and beyond. You will often
hear audiophiles speak of a sweet spot which basically would be
described as the most desirable spot from which to enjoy this sonic
illusion.
The Hawthorne Audio OB
loudspeakers are relatively easy to set up, and when done properly,
results in a large enjoyment zone. Due to its dipole radiation it is
important to note that we must be mindful of this rear wave. You
will find that your speakers perform best when they have sufficient
room around them. I generally place the system 4-5 feet away from
the front wall and progressively move it towards this wall while
listening to male vocals. Any hint of lower mid "chestiness" and
it's too close. This optimum position usually is rather large and
easily located.
As little as 3 feet is
often all that is needed between the speakers and any walls of your
music room. If space is a consideration you can simply pull them
forward off the front wall for critical listening, then return them
after enjoying them. They are light weight and easily moved. If
however you are fortunate enough to have a large music room you will
be rewarded by giving the speakers much greater distances from all
reflective surfaces.
A good starting point for
setting up your speakers would be to create an equilateral triangle
with the speakers approx. 6 to 8 feet apart while maintaining ample
clearances to all adjacent walls. Place your listening chair
centered between the two and approx. 6 to 8 feet away from them thus
forming this triangle. The speakers perform very well facing
directly forward or toed in at various angles from approx. 0 through
15 degrees. A good starting point would be for them to face an
imaginary point about 2 feet in front of your chair. This should
create a very solid phantom "sound image" exactly midway between the
speakers and directly in front of you. Depending on the recording,
this phantom sound image can sound amazingly real. This image may
appear to come from a point very deep within this soundscape. Sounds
will emanate from points in space both left and right of this center
image and often appear to come from a point outside the boundaries
of the speakers themselves.
In a properly treated
listening room the walls themselves no longer define your listening
area. The feeling of having your favorite performer in the room with
you, playing your favorite songs anytime you wish to hear them is
indeed one of my personal favorite pastimes. After some practice
listening sessions, you should be easily able to listen very deeply
into the recorded performance. You may indeed hear portions of the
performance as if for the first time. Interactions between the
various players and especially the individual sounds of their
instruments become more easily identified and enjoyed through highly
refined speakers like the Hawthorne Audio OB’s. You may find it very
hard to go back to box speakers. This can be such a profound
listening experience that many audiophiles spend considerable time
and resources seeking out audio components that excel in doing their
part to create this illusion.
While on the subject of
the associated electronic equipment it is important to be mindful of
one important concept. The concept I am referring to is the
relationship between your amplifier(s) and your speakers. It may be
helpful for you to think of them as not two separate components, but
speaking from an electrical perspective, thought of as one unit.
Amps and speakers complete each other. You cannot listen to one
without the other. So this relationship between the two is perhaps
one of the most critical when we speak of system synergy. In
designing the Silver Iris drivers we wanted to make sure that they
would be compatible with a very wide range of prospective
amplifiers. The drivers would be considered a very high sensitivity
or efficient loudspeaker. (approx. 96dB/W/M). They can be driven to
high sound pressure levels with just a few watts of power, so
caution is in order. Please be kind to your ears.
This high efficiency
would make them an ideal match for low powered valve (tube)
amplifiers. Many audiophiles favor the use of very low powered
(flea) SET amps. These OB speakers would be considered an ideal
match for this type of demanding amplifier and what I personally
voiced them with while refining their design.
The Silver Iris drivers
that are utilized in your speakers have a pro audio lineage, and not
unlike their pro audio cousins, the Silver Iris drivers are quite
capable of handling large amounts of clean power when needed.
For the Solo, we decided
that an impedance rating of 8 ohms would work well with most
amplifiers.
We would recommend a
power output rating from your amplifier somewhere between 2 and 150
watts.
The Hawthorne Audio OB
speaker system could be thought of as a piece of furniture and would
require similar basic care. The fabric covering is not removable and
should be lightly dusted. It would not be recommended to vacuum them
as snagging or stretching of the fabric could occur. The oak wood
trim pieces have a furniture grade polyurethane finish and do not
require any special treatments. It would be advisable to keep your
new speakers out of direct sunlight to avoid damaging UV rays. Your
speakers were designed to last a very long time. This is evident by
the 7 year warranty on the Silver Iris drivers.
Enjoy.
-Darrel